General aims for the overall project


To commit audiences, artists and project collaborators to confronting their complicity in the widespread use of new communications technology for the dissemination and organisation of nationalist and racist strategies.


To create a gallery installation that involves the audience in a contractual relationship with a computer programme designed to address the process of 'racialisation' - the reframing of ethnic difference as racial distinction - and the 'new eugenics' - an aggregation of disciplines harnessing biological engineering technology to the values of the social marketplace.


To engender interpretive methods of collaborative working, between audiences, artists and project contributors that exploit the possibilities presented by new communications technology for art working within a social context.